The New Yorker: Photo Booth - "Two And a Half Decades Observing Life in Rural America"
Aperture - "Collapsing Time and Space in Black and White"
The New Yorker: Photo Booth - "A Revered Photojournalist's Chronicle of Lower Manhattan on The Brink of Transformation"
Aperture - "If Photographs Could Talk"
The New Yorker: Photo Booth - "Behind Larry Fink's Up-Close Photo Shoot with Governor Jerry Brown"
The New Yorker: Photo Booth - "Looking at William Henry Fox Talbot's Pioneering Photographs—Without Causing Them to Disappear"
Aperture - "India in Full Color"
The New Yorker: Photo Booth - "Behind the Portrait: Julian Assange"
The New Yorker: Photo Booth - "Revisiting Oliver Sacks's 'Island of the Colorblind,' In Photographs"
The New Yorker: Photo Booth - "Richard Mosse's "Heat Maps": A Military-Grade Camera Repurposed On The Migrant Trail"
The New Yorker: Photo Booth - "A Photographer, Her Muse, and The Hunger for Fame"
The New Yorker: Photo Booth - "A Festival of Exploding Sledgehammers"
The New Yorker: Photo Booth - "The Animal Restlessness in Artificial Objects"
The New Yorker: Photo Booth - "Revisiting Eugene Richards's Sweeping Portrait of Life Below The Poverty Line"
The New Yorker: Photo Booth - "Candy And Poison"
The New Yorker: Photo Booth - "What We Look Like When We Fall"
The New Yorker: Photo Booth - "New York City in Between Rocks and Clouds"
The New Yorker: Photo Booth - "An Island of Monsters From Japanese Folklore"
The New Yorker: Photo Booth - "Surveying The Lives of Americans, Through The Windows Of Their Parked Cars"
The New Yorker: Photo Booth - "Soaking Up New York City's Pools And Beaches"
The New Yorker: Photo Booth - "One Year Photographing The Lives of Migrants"
The New Yorker: Photo Booth - "A Norwegian Artist's Memory Disturbances"
The New Yorker: Photo Booth - "The Sensory Worlds Of Blind Children"
The New Yorker: Photo Booth - "Mark Cohen's Close-Up Street Photography"